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There are a couple of new recordings out with some of my writing included: a complete recording of the Song Books, and a limited edition vinyl recording of the Sonatas and Interludes from the John Cage Trust.
I was in Buenos Aires a couple of weeks ago for a festival celebrating Cage’s 100th birthday. It was sponsored by the Teatro Colón and the Fundacion Proa.
For years I fantasized about playing the Chopin Barcarolle. Now I have and am ridiculously pleased with myself. (video)
An explanation of why my page numbering doesn’t match the Feldman scores now sold by Universal Edition.
Sviatoslav Richter’s Rachmaninoff has so much more of a sense of ease than mine. Where does that come from? How do I cultivate that?