I find that there’s a really sharp change in Morton Feldman’s work in 1957, with his Piece for 4 pianos. But what ties these worlds together is something that I think gets at the heart of Feldman’s work: a direct engagement with sound.
Month: March 2013
Both Morton Feldman and John Cage at various times remembered fondly the long talks they had together during the 1950s, soon after they met. What did they talk about? One topic may have been a spiritual one: seeking something beyond their own sense of self in their work, something larger.