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Introduction to a series of posts on John Cage’s musical and spiritual path of the 1940s and early 1950s. To understand his taking up of chance in 1951, you have to understand this journey, and to fully understand the journey, you must be able to see it as a journey into both musical silence and inner silence.
I just finished my latest project, which has been occupying me since January: the text for a new piece by Frances called “The third night”. It’s been an adventure and a discovery, my first text written specifically for video.