More on Cheap imitation
After my previous post on Cage’s Cheap imitation, I have been thinking more about the piece and doing some poking around. Here are some random thoughts about it.
More on Cheap imitation Read More »
After my previous post on Cage’s Cheap imitation, I have been thinking more about the piece and doing some poking around. Here are some random thoughts about it.
More on Cheap imitation Read More »
I’ve started working on Morton Feldman’s Palais de mari>, and I plan to do a number of posts on this piece as it sinks in. And I’ll start at the beginning, writing about the nature of opening ideas in late Feldman.
Beginning Palais de mari Read More »
This Sunday morning’s playlist was a single piece: Cage’s Cheap imitation.
Sunday playlist: Cheap imitation Read More »
I’ve been playing Feldman’s Intermission 6 lately. Here’s my take on how to play the piece.
Morton Feldman: Intermission 6 Read More »
This Sunday’s playlist starts with one of my favorite horror movie piano scores: the Bach-Brahms chaconne.
Sunday freestyle playlist: Halloween edition Read More »
We were in DC and visited the Rothko show at the National Gallery of Art. It’s a must-see.
Rothko/Feldman pilgrimage Read More »
There’s another approach to realizing Two: completely determining everything using chance operations. I tried this out and describe the results.
Two: another approach Read More »
This week’s all-dance freestyle playlist is inspired by Fred & Ginger.
Sunday playlist, dance edition Read More »
Another Sunday morning of sightreading. This week: Feldman, Debussy, Schumann, and Chopin.
Sunday freestyle playlist (17 October 2010) Read More »
The notation makes it clear that Cage leaves various specific aspects of the continuity of Two up to the performer. What isn’t clear is how, as a performer, one is supposed to make those decisions.
Two: one approach to performance Read More »