Memories and Imitations
I spent a recent Saturday morning chatting with Laura Kuhn of the John Cage Trust, a conversation now available online in the latest episode of her program “All Things Cage” for WGXC.
Notes on For Bunita Marcus
I’ve just posted the essay I wrote to accompany Aki Takahashi’s beautiful recording of Morton Feldman’s For Bunita Marcus.
Memories of a computer music camp follower
I never really had any legitimate reason to work at the Brooklyn College Center for Computer Music. I just kept showing up and eventually looked as legitimate as anyone else in computer music at the time.
One silent piece or four?
Silent prayer, 4? 33?, 0? 00?, One3: are these evolving manifestations of the same work, or are they four distinctly different works? Should we speak of John Cage’s silent piece, or John Cage’s silent pieces?
Silence changed: One3
Unwilling to perform 4′ 33″ for a concert in Japan in 1989, John Cage created a new silent piece: One3. Dark and frightening, it confounds our expectations.
The silent piece, rebooted: 0′ 00″
In 1962, to effectively present his understanding of silence to audiences, Cage wrote a new silent piece and called it 0’ 00” (4’ 33” No. 2). it is a celebration of silence in all the ways that were most meaningful to Cage and which had been missed in the concert performances of 4’ 33”.
Did John Cage regret writing 4′ 33″?
While 4’ 33” is seen as a daring creation that changed music, Cage himself can be seen as its somewhat reluctant creator. Rather than embrace and promote it as the key piece in his oeuvre, Cage seems to have distanced himself from it. By turning his back on it, was he trying in some way to make it just go away? Did John Cage regret writing 4′ 33″?
The composition of 4′ 33″
So how, exactly, did John Cage write 4’ 33”? This may seem like a silly question. But for Cage in 1952, process was very important. In this post, I look at the various possibilities for the composition of 4′ 33″.
The origin of 4′ 33″
The second of Cage’s silent pieces is the one that everybody has heard of: 4′ 33″. First, I will take up the question of “why now?”: Why did Cage write a silent piece in 1952 after having first thought of it at least four years earlier?
“Silent prayer”, the first silent piece
In 1948, John Cage proposed writing “a piece of uninterrupted silence” to be called “Silent prayer”. While this has been connected as the precursor of 4′ 33″, there is a rather startling gap between John Cage in 1948 and John Cage in 1952. What was the context of Silent prayer, then?