Through no effort of my own, the manuscript of Cage’s 1990 version of 4′ 33″ for The Whistlebinkies wound up in my email inbox. It made the piece much more real to me and I got very interested in it again. I started having new ideas about it, and, with score in hand, more confidently thought of it as the fifth silent piece.
I never really had any legitimate reason to work at the Brooklyn College Center for Computer Music. I just kept showing up and eventually looked as legitimate as anyone else in computer music at the time.
In 1962, to effectively present his understanding of silence to audiences, Cage wrote a new silent piece and called it 0’ 00” (4’ 33” No. 2). it is a celebration of silence in all the ways that were most meaningful to Cage and which had been missed in the concert performances of 4’ 33”.
While 4’ 33” is seen as a daring creation that changed music, Cage himself can be seen as its somewhat reluctant creator. Rather than embrace and promote it as the key piece in his oeuvre, Cage seems to have distanced himself from it. By turning his back on it, was he trying in some way to make it just go away? Did John Cage regret writing 4′ 33″?