Writings on John Cage

John Cage and the power of a bad performance

All composers endure bad performances of their music. It’s always demoralizing and undermines self-confidence. Some solace can be taken in the knowledge that this experience is universal: it happens to all composers, the famous and the obscure, and at all points in their careers. This point was driven home to me recently when I discovered John Cage, in conversation with Morton Feldman, describing the impact of a bad performance of his Concerto for prepared piano.

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Some thoughts on Cage and Feldman and silencing self

John Cage, Morton Feldman

Both Morton Feldman and John Cage at various times remembered fondly the long talks they had together during the 1950s, soon after they met. What did they talk about? One topic may have been a spiritual one: seeking something beyond their own sense of self in their work, something larger.

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What is a composer? Who is she?

John Cage, Other music

“John Cage was a composer: this is the premise from which everything in this book follows.” Twenty years ago I opened my book on the music of John Cage with this strong statement. There were field marks by which I identified Cage as a composer, and I learned them by studying “the other subject” of my book.

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John Cage on silence

John Cage

The bilingual (Portuguese/English) arts magazine Cine Qua Non has just published their John Cage tribute issue. It includes my essay on John Cage and silence.

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Five statements on silence by John Cage: Questions, hypotheses, second thoughts

John Cage

1. Silent prayer [I intend] to compose a piece of uninterrupted silence and sell it to Muzak Co. It will be 3 or 4½ minutes long—those being the standard lengths of “canned” music—and its title will be Silent Prayer. It will open with a single idea which I will attempt to make as seductive as

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Storytelling

John Cage, On writing

I’ve said that I’m more a storyteller than a musicologist. I was reminded of this while reading Kay Larson’s new book “Where the heart beats”. Our tellings of the story of Cage’s spiritual journey aren’t that far apart.

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A dip in the lake in Potenza

John Cage

I was contacted recently about a project to assemble a version of Cage’s ‘A dip in the lake’ in Potenza, Italy. They asked me if I would write a short text for the program book, and naturally I agreed.

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A dip in the lake in Potenza

John Cage

[This text was written for a booklet accompanying a performance in Potenza, Italy of John Cage’s A dip in the lake. The piece was done as a recording, based on field recordings made at 427 locations in and around Potenza.] “At the very least, it was an excuse for us to wander around the area we

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Prepared piano app

John Cage

The John Cage Trust has released an app for iOS and Android devices. It’s a demonstration of Cage’s prepared piano and ties into the recent recording of the Sonatas and interludes released by the Trust. I found it to be the perfect audiovisual aid for a recent class on the Cage string quartet.

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John Cage and spirituality

John Cage

I’ve been reading “On an overgrown path” on how spirituality could be a huge marketing opportunity for classical music. Classical music, the author proposes, should drawn on its deep spiritual heritage and sell itself as the “kind of unique life enriching experience” that it actually can be. Part of what makes me mention this here is that the author quotes John Cage’s formulation of the purpose of music: To sober and quiet the mind making it susceptible to divine influences.

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