My first piano teacher was Ann D. Gainey. This is the story of how we met, how she introduced me to music, and how she became a part of our family. Nearly a half a century ago, in 1967, I was in second grade at Rock Springs Elementary School in Atlanta. My older brother went to […]
Triadic memories, like all late Feldman, is a series of repeated patterns, musical images that are extended in time by repetition. In some pieces these repetitions are of larger chunks of music, with a system, set of systems, or even pages of music reappearing, often with permutations. I’ve always thought of these larger-scale repetitions in terms of the whole pattern: pitch and rhythm together. Playing through Triadic memories, I’ve become aware of them rhythmically, repeating even as the pitches are moved around.
There is a figure that appears about a third of the way into Triadic memories. It catches my attention, wakes me up: it is a signal that something is changing. Where are we going now? And haven’t I heard this before somewhere?
For me, there is a more personal history of the Radio Happenings: the story of how they came to light and were preserved. It all happened because of procrastination and the pre-Internet digital social world of Bulletin Board Services in New York City. It was a rare musicological adventure.
In this installment of my series on the Cage-Feldman “Radio happenings”, I describe where Cage and Feldman were in their lives at the time of the recordings, and present highlights of their conversations.
The history of how the Cage/Feldman “Radio Happenings” came to be recorded at WBAI, under the direction of Ann McMillan
Introducing a series of posts telling the missing story of the Cage/Feldman “Radio Happenings” of 1966-67, a series of broadcasts that has been getting more and more attention on the web.
The manuscript score and early performances reveal an alternative interpretation of a persistent rhythm in Triadic Memories
To start on Feldman’s “Triadic memories”, I knew I needed to get a new copy of the score, but what I really wanted was a facsimile of the manuscript. Here’s how to get these scores and why I prefer them to the newer computer-typeset ones.