Both Morton Feldman and John Cage at various times remembered fondly the long talks they had together during the 1950s, soon after they met. What did they talk about? One topic may have been a spiritual one: seeking something beyond their own sense of self in their work, something larger.
Some thoughts on Cage and Feldman and silencing self Read More »
Hearing Webern and Feldman next to each other is a real ear-opener. The other day I decided to explore this a little further. I listened to the Webern Symphony again, then to two Feldman pieces from the time of that famous concert walk-out: Projection 1 for cello (1950) and Structures for string quartet (1951).
Morton Feldman speaks with Webern Read More »
A good while back, I wrote about Morton Feldman’s Intermission 6. I’ve been playing it some more this month and just made a recording of it.
Morton Feldman: Intermission 6, again Read More »
While in Barcelona, I was interviewed for Ràdio Web MACBA, the online radio program of the Museu d’Art Contemporani de Barcelona (MACBA). It was an interesting experience and is available online now.
Interview at Ràdio Web MACBA Read More »
The latest music to migrate from the bookshelf to the piano to be worked on are pieces by Morton Feldman and Beethoven. What I’m finding is that these pieces are talking to each other—or at least Feldman is speaking to Beethoven—about voicing, weight, and sound.
Morton Feldman speaks with Beethoven Read More »
Time to post another playlist of what’s been reverberating around here (both externally and internally). Here’s what’s been going on in September/October.
An explanation of why my page numbering doesn’t match the Feldman scores now sold by Universal Edition.
About pagination in Feldman Read More »
After attaining a state of deep concentration in pages 20-22, For Bunita Marcus breaks off and scatters a bit over the next few pages. This is another section where Feldman rearranges earlier music, disorienting our memories.
For Bunita Marcus 7: pages 23-25 Read More »
As I noted at the end of the last installment of my trek through For Bunita Marcus, the end of page 19 signals something altogether different. What happens over the next three pages is an expansion of time and a sharpening of concentration in the piece.
For Bunita Marcus 6: Settling down (pages 20-22) Read More »
Here in the blog, I’ve been describing my progress through Feldman’s For Bunita Marcus one section at a time. I’ve gotten through page 19, which is about halfway through the piece. In reality, I’ve been much further ahead of the blog. A couple of weeks ago, I finally reached the end.
For Bunita Marcus: end-to-end Read More »
