The latest music to migrate from the bookshelf to the piano to be worked on are pieces by Morton Feldman and Beethoven. What I’m finding is that these pieces are talking to each other—or at least Feldman is speaking to Beethoven—about voicing, weight, and sound.
Morton Feldman speaks with Beethoven Read More »
I’ll be giving my talk on “John Cage’s silent piece(s)” (as heard in Buenos Aires and Barcelona) on Saturday, 3 November in Philadelphia, as part of the festival “Cage: Beyond Silence”.
Cage lecture in Philadelphia Read More »
Time to post another playlist of what’s been reverberating around here (both externally and internally). Here’s what’s been going on in September/October.
I just returned from Barcelona, where I participated in another John Cage centennial festival.
John Cage in Barcelona Read More »
There are a couple of new recordings out with some of my writing included: a complete recording of the Song Books, and a limited edition vinyl recording of the Sonatas and Interludes from the John Cage Trust.
New Cage recordings Read More »
I was in Buenos Aires a couple of weeks ago for a festival celebrating Cage’s 100th birthday. It was sponsored by the Teatro Colón and the Fundacion Proa.
John Cage in Buenos Aires Read More »
For years I fantasized about playing the Chopin Barcarolle. Now I have and am ridiculously pleased with myself. (video)
An explanation of why my page numbering doesn’t match the Feldman scores now sold by Universal Edition.
About pagination in Feldman Read More »
Sviatoslav Richter’s Rachmaninoff has so much more of a sense of ease than mine. Where does that come from? How do I cultivate that?
