Essays and posts on the music of American composer John Cage (1912-1992)
Through no effort of my own, the manuscript of Cage’s 1990 version of 4′ 33″ for The Whistlebinkies wound up in my email inbox. It made the piece much more real to me and I got very interested in it again. I started having new ideas about it, and, with score in hand, more confidently thought of it as the fifth silent piece.
The silent piece, from stopwatch to inner clock Read More »
I spent a recent Saturday morning chatting with Laura Kuhn of the John Cage Trust, a conversation now available online in the latest episode of her program “All Things Cage” for WGXC.
Memories and Imitations Read More »
Silent prayer, 4′ 33″, 0′ 00″, One3: are these evolving manifestations of the same work, or are they four distinctly different works? Should we speak of John Cage’s silent piece, or John Cage’s silent pieces?
One silent piece or four? Read More »
Unwilling to perform 4′ 33″ for a concert in Japan in 1989, John Cage created a new silent piece: One3. Dark and frightening, it confounds our expectations.
Silence changed: One3 Read More »
In 1962, to effectively present his understanding of silence to audiences, Cage wrote a new silent piece and called it 0’ 00” (4’ 33” No. 2). it is a celebration of silence in all the ways that were most meaningful to Cage and which had been missed in the concert performances of 4’ 33”.
The silent piece, rebooted: 0′ 00″ Read More »
While 4’ 33” is seen as a daring creation that changed music, Cage himself can be seen as its somewhat reluctant creator. Rather than embrace and promote it as the key piece in his oeuvre, Cage seems to have distanced himself from it. By turning his back on it, was he trying in some way to make it just go away? Did John Cage regret writing 4′ 33″?
Did John Cage regret writing 4′ 33″? Read More »
So how, exactly, did John Cage write 4’ 33”? This may seem like a silly question. But for Cage in 1952, process was very important. In this post, I look at the various possibilities for the composition of 4′ 33″.
The composition of 4′ 33″ Read More »
Everyone knows that John Cage wrote a piece of music that is nothing but silence. But in fact there are four different works by Cage that he considered silent. This eight-part series examines the history of both Cage’s conception of silence and of these four pieces: Silent prayer (1948), 4′ 33″ (1952), 0′ 00″ (1962), and One3 (1989). 1.
John Cage’s silent piece(s) Read More »
The second of Cage’s silent pieces is the one that everybody has heard of: 4′ 33″. First, I will take up the question of “why now?”: Why did Cage write a silent piece in 1952 after having first thought of it at least four years earlier?
The origin of 4′ 33″ Read More »
In 1948, John Cage proposed writing “a piece of uninterrupted silence” to be called “Silent prayer”. While this has been connected as the precursor of 4′ 33″, there is a rather startling gap between John Cage in 1948 and John Cage in 1952. What was the context of Silent prayer, then?
“Silent prayer”, the first silent piece Read More »
